yamaha studio manager ls9 connection issues

You can have the LS9 give you a smooth sound, not harsh, if you don't treat it like an analog board. The flexibility is worth the extra effort (to me at least). it starts to compress far earlier than indicated. set the threshold further from the signal than it shows on the screen.

The compressor on each channel is misleading. Gotta play with these during a rehearsal to hear what I mean. Reverb (or other effects) - by default channeled to ST 1-4, Rack 5-8 - from an assigned Mix can also help, even at low levels that are barely audible from the PA. Cool feature is you can use your faders to adjust each band. Rack 1/2, linked, assigned to Main L/R outs. Use the main 31-band EQ rack on the main outs for your PA. I use Radial JDI's (pricey, but worth it).ĭO use separate channels from digital instruments (keys, elec drum kits) and assign to separate channels if you can afford the inputs. Use higher-end (if you don't already) DI boxes on the stage. Get used to the DBFS scale and approach it differently than an analog dB setup.ĭon't depend on Yamaha's line level conversion. Here's a few things I've done to round out the edges:

Takes a bit of time, but you'll get there sooner than you think.ĭigital vs. but with so many different possible configurations, you'll find both a basic workflow that most engineers use on an LS9 (ASK some other's, as mentioned in the previous post), as well as your own flavor of work-flow. Also, save your basic setup directly on the LS9. You can then use your own basic setup on any LS9 you encounter. I checked with more than one product engineer at Yamaha and they all assured me using the magnetic tape would have no ill-effects.Ĭreate a user key. Instead, I've picked up some white (on one side) magnetic tape from the local office supply store. There are so many different possible configurations that I found using board tape to label becomes a real nightmare.

NOW you realize why the lead guitarist is looking at you with a confused/angry expression!

what the hell's going on!?! Then you look a little more closely and realize you've been messing with a mix out channel on the Master layer. so, for example, you sit there trying to adjust the head amp (or whatever) on a specific input channel. Toggling layers - embarassment/nightmare potential: more than once I've forgetten which layer I'm on. The rest you can get to easily by toggling layers back and forth. Even if you have more, you can assign those i/o's that you know you'll be using the most while live. If you don't have more than 32 i/o's (on the LS9-32) you can assign all of your inputs and outputs on one layer. Get to know, and use, the custom fader layer for the easiest navigation during a show. I hope all went well on your first night with the board.

Yamaha studio manager ls9 connection issues